Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz

Entries in Adobe After Effects (83)

Sunday
Oct222006

Rebel CC

The response so far on my upcoming book has been wonderful, so I wanted to give you more than a tease of what’s to come. I’m working on my last chapter right now (!), and it’s all about mastering or onlining your film. It probably won’t surprise you that I advocate doing this in After Effects rather than your NLE software. The power and control AE offers is just too much to ignore. But for all that power, there’s one big piece of the puzzle missing, and that’s a simple, elegant, telecine-style color-correction tool for coloring or grading your movie.

Enter Rebel CC. Although not as awesome as a real plug-in, this Animation Preset uses color swatches to drive a Levels effect using rather deep expressions.

You start by eyedropering your blacks, whites, and grays to optimize the image. These steps are optional—you can do them or not, or you can do only one or two of them if you don’t need to do all three. The eyedropper method is a nice fast way to perform the first stage in color grading: grading for consistency.

You perform the next step, grading for look, by using the color picker as a makeshift color wheel. Not as fast or interactive as one might like, but the control is there. You can set colors for shadows, midtones, and highlights, and you can even recover color information that may have gotten lost when you sampled your black and white points.

But why read about Rebel CC when you can watch about it? I made this quick video to show it off:

 


Download Rebel CC and place it in your Presets folder (in your After Effects application folder).


Music: Colour in My Mind by The Youngbloods

 

(Updated 061022 1:00pm PST to fix a compatibility bug)

See also: Colorista Free

Saturday
Oct212006

The Orphanage is Hiring All Your Friends

The Orphanage is hiring people. And by people, I mean these people:

VFX Supervisor
CG Supervisor
Sr. Producer
Production Manager
Production Coordinator
Production Assistant
Maya/Mental Ray TDs
3DS Max TDs
Look Dev/Shader TDs
Fusion Comp Supe
Fusion Compositors
After Effects Compositors
Matte Painters
Hard Surface Modelers
Character Modelers
Character Riggers
Creature Supervisor

Help Desk Assistant
Render Wrangler (Graveyard shift 11pm-7am)
Receptionist/HR Assistant
Recruiter

If you'd like to apply for one of these positions, please send a link to your online reel to: recruiting[at]theorphanage[dot]com. Please specify which position you're applying for in the subject line.

Alternatively, you're welcome to send your reel & resume to the following address:

Recruiting
The Orphanage
Re: specify position
39 Mesa St., Ste. 201
San Francisco, CA 94129

Be an Orphan!

Wednesday
Jul052006

The Orphanage is Hiring Compositors!

If you're in the Bay Area or would like to be, know AE and have feature film work on your reel, send an email to recruiting[at]theorphanage[dot]com.

And if you've read and understood all the color mumbo jumbo on this blog, tell them you're applying for my job. :)

Saturday
May132006

The best compositing book just got 7er



Mark Christiansen has updated his excellent book for AE7. It now features many more sample projects, including some HD footage provided by Pixel Corps. Still the same great focus on hardcore compositing, and still the same space-filling chapter at the end by some Stu guy.

Adobe After Effects 7.0 Studio Techniques