Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Tuesday
Dec292009

NOCTURNE of Events

Canon has proudly placed Nocturne on their website, echoing the up-down-up pattern Reverie experienced last year.

Astute ProLost readers will have noted that Nocturne has always been viewable on my YouTube account, since Canon never asked me to take it down, just Vincent.

As you will recall, Nocturne is a short film shot entirely in available light using two pre-release Canon 1D Mark IV HDSLRs.

Vincent Laforet wrote about the film here and here, and has a fresh update here, along with a behind-the-scenes video edited by Joseph Linaschke.

My making-of post is here.

The 1D Mark IV is starting to show up in peoples’ hands and looks to be a rockin’ solid action SLR with the autofocus that Canon shooters have long wished for. As I wrote here, it is undoubtedly $5,000 worth of stills camera. It’s probably not $5,000 worth of HD video camera, unless you very specifically need the unmatched low-light performance.

Which you very well might. It’s obviously awesome.

Just remember that the Mark IV has no ergonomic concessions to video shooting—not even a dedicated video start-stop like the 7D has. And while it has greatly reduced rolling shutter skew (Nocturne is ample evidence of this), the video aliasing/moiré is no better than that of the 5D Mark II (something you can also see in Nocturne).

Reader Comments (4)

Thanks for the post and all the inspiring material! One question. What tools did you use to deal with the noise in post? I recall that some article / web posting said that some footage was cleaned in post. I naturally don't know if this statement was true or not.

BR,
Chris

December 30, 2009 | Unregistered CommenterChris

why is it that people running away from cars always seem to run right in the middle of the road where it is easiest for the car to get them??
kinda like the cartoons with someone running straight downhill to 'escape' a growing ball of snow.

other than that, i loved the cinematography and the editing!

January 2, 2010 | Unregistered Commenteraveran

Stu, what lenses were used on the shoot? I can't seem to find this anywhere but I'm sure someone must have asked it already...

January 4, 2010 | Unregistered CommenterLuke

I am looking into buying and SLR to shoot stills and video in low light settings. This camera looks like a winner, but actually I am looking into something more moderately priced, as I am a "semi-pro": the 7d and the Nikon d300s. Anyone care to comment on these cameras, and their lowlight performance?

January 7, 2010 | Unregistered Commenteroliver
Comments Disabled
Sorry, comments are disabled temporarily while I tweak some stuff.
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