More free image nerdery
ImageJ, a public domain, cross-platform (Java), 32-bit image processing program.
What does it mean? I don't know.
The easiest way to support Prolost is to begin your Amazon, iTunes, Mac App Store, Zacuto or B&H shopping here. You can drag those links to your bookmarks bar so you never forget. It costs you nothing and it really helps. Thanks!
Slugline. Simple, elegant screenwriting.
Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II
ImageJ, a public domain, cross-platform (Java), 32-bit image processing program.
What does it mean? I don't know.
This the the Kodak DLAD image (Marcie) in log space, right?
There are many misconceptions about Cineon files and the color spaces known colloquially as log and linear. The first is that Cineon files are stored in a log color space. It’s not that this is entirely false, it’s just that it’s not that simple. The pixel values in a Cineon file are represent dye densities on color negative film, and the relationships of these density measurements from one step to the next on the 10-bit scale are the same.
So while we say all the time that the Marcie Cineon file is “log,” what we really mean is that it is in Kodak's Cineon 10-bit encoding of negative densities as seen by the print stock. OK, so maybe I was being over dramatic when I said you were wrong earlier. That’s cool—let’s keep using the term log to describe Cineons, since the densities themselves are in fact logarithmic.
The problem is really with the second image. Many people freely use the term linear to describe images that look correct on their ≈g2.2 monitors. It’s particularly easy to fall into this trap when you are invited by your software to perform a “Log to Linear” conversion on a Cineon file. The standard practice is to use a Cineon conversion gamma equivalent to your monitor gamma and describe the results as linearized. But in truth, the results are gamma-encoded, as any image must be to look correct on a ≈g2.2 display, and are therefor not linear in the least.
So it would be better to say that we converted the “log” Marcie above to “another kind of log-ish space” than to say that we made her linear. The eLin/ProLost/brave new future term wold be not log, not lin, but vid (like we talked about here).
“But Marcie looks all washed out in the log image and not in the second one (that I still desperately want to call linear).”
OK, I knew you were going to say that. Check this out. Here’s the log Marcie with all the values below 95 and above 685 clipped. Other than that, no color space change:
So log Marcie is more like vid Marcie than linear Marcie. Linear Marcie is too dark to look at, but is the best Marcie for doing image processing operations on. Raw Cineon files look washed out because they contain so much headroom, not because they're log.
I remember reading through Steve Wright's book and getting to the part about the slice tool and thinking, what is this crazy slice tool thing? What punkass comping software is this cat using? And then I wanted my punkass comping software to have one.
If you don't know why you need this, Steve will tell you.
Download O-slice_v1.4 (5kb .rar file)
Props: I never would have figured out how to use Paint to create the slice lines if it weren't for Raf Schoenmaekers’ helpful post on the Fusion list.
Fixes a bug and adds a Scale Graphs slider.
Download O-cropCompare_v2.4 (4kb .rar file)