Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Saturday
Aug012009

fxguidetv #061

Can Mike Seymour and Stu talk about cameras for hours? Is Japan the greatest place on Earth? How bad do you want the Redrock Micro “Subling” rig? These and other pressing questions are answered in episode 61 of fxguidetv.

(Plus also lots of great moments from the now-underway DSLR Cinematography course at fxphd)

Subscribe in iTunes.

Reader Comments (5)

Just watched it. I saw you only used the canon

I want to see how you play with the d90 and its jellovision. :)

August 1, 2009 | Unregistered Commenterjason

Haha. That was Stu going completly Phillip Bloom on Tokyo.

August 1, 2009 | Unregistered CommenterSjur Pollen

Good job! Watched the episode on our TV with my husband this afternoon. I hope the D90 section crops up in the next episode btw.

August 1, 2009 | Unregistered CommenterEugenia

Went to the new D-300s D-Movie site. Noticed that in the still grabs of the LCD screen in Movie mode the aperture/shutter settings are listed at the bottom as well. Just that information alone would be a significant step up from the D90.

August 2, 2009 | Unregistered Commenterjosh

Hey Stu great job! I guess the markII is really growing on you (the footage looked amazing, as did the grade.) Hopefully some day you can put together a 'how to get the flattest image out of your 5D' article; you mentioned it in the interview, but you didn't elaborate... It'd be nice to be able to apply the most objectively "neutral" settings out of the box without having to test/second guess myself (If I ever eventually get one.)

Oh, kind of an off-topic question, but do you happen to know what wireless lav mics the fxguide guys use? I couldn't tell if the one strapped to you was wireless or not, but there are other sections in the video where they clearly were and the audio was more than amicable.

-Mike

August 2, 2009 | Unregistered CommenterMike
Comments Disabled
Sorry, comments are disabled temporarily while I tweak some stuff.
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