Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Tuesday
Feb212006

AE7 on fxguide

Hear Steve Kilisky and Dave Simons discuss After Effects 7.0 on vfxguide's podcast. They discuss the new features and touch on HDR, but in a subsequent episode yours truly will be picking up where they left off and getting into some of the nitty griity of working in linear floating point in AE7. I'm a podcast addict and excited to finally be on one!

Fxguide's podcast is one of my favorites and an excellent knowledge resource. I highly recommend you subscribe (iTunes link) and check out the archives, especially the back-to-back episodes on the effects in Batman Begins.

Reader Comments (1)

Great to hear that fxguide picked up on my tip of interviewing you about the float comping in AE. If it wasn't for eLin and your persistance in the beta program we probably wouldn't have seen 32-bit in AE for a while!

February 21, 2006 | Unregistered CommenterJonas Hummelstrand
Comments Disabled
Sorry, comments are disabled temporarily while I tweak some stuff.
« Linear Color Workflow in AE7, Part 4 | Main | HDR101 »