Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Monday
Feb052007

IRE Ire

Mike Curtis has been furrowing his bloggular brow about highlight clipping issues in his clever Final Cut workflows. I can't solve all his problems, but I can show you how to avoid giving your waveform a buzzcut when using Colorista.

Watch the screencast. You'll see me apply Colorista, which clips off the IRE values greater than 100%. I fix this by first applying Brightness & Contrast (Bezier), and reducing Brightness a bit. From there on out it's all fun and games with Colorista.

The part I didn't show was switching on High Precision YUV processing to make sure I don't lose fidelity in the rendering.

(This is the technique that I would use if for some weird reason I was actually doing color work in FCP—otherwise I'd use the slightly more complex method I outline in The Guide, as it makes for a cleaner export)

Sunday
Feb042007

Colorista in FCP

I finally put together a little side-by-side demo showing the struggles I used to face with the 3-way color corrector in Final Cut Pro HD that, in part, led me to create Colorista.

Friday
Feb022007

DV Rebel Crash Cam

Canon has announced the HV20, a tiny little 1080p24 camcorder with an MSRP of US$1,099.

Dzang!

It has HDMI out, which means you could pair it with a Blackmagic Intensity card ($250) to capture 4:2:2 uncompressed 24p for less than the price of a decent boom mic setup.

The CMOS chip is true 1920x1080.

We'll have to see how fussy the manual controls are, but this camera just may have DV Rebels everywhere contemplating an impulse buy.

Update: More info from HDVinfo.net.

2nd Update: HV20 now available from Amazon.

Tuesday
Jan302007

Be Stu in 1995

I'm eBay-ing my very first ILM crew jacket. It's literally the first item of clothing I bought when I got my job at ILM, fresh out of CalArts with only an Amiga-made demo reel and a seriously embellished resume (oh, sure, I "know Unix." Who doesn't?).

What I like about this jacket is that it reminds me of the pre-computer-graphics days of ILM.

The thing even has my name embroidered onto the front, guaranteeing a nice low selling price! Unless your name is Stu. Then I got ya right where I want ya...