Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Monday
Apr042005

Sin City

Some news stories about The Orphanage's work on Sin City:

Hollywood Reporter (syndicated to Yahoo)
VFXworld (free registration required)
VFXblog

Some nice comparisons of our shots to Miller's original artwork here.

Reader Comments (2)

Fantastic work sir. I haven't seen such a visually captivating movie in... ever? Couldn't believe the quality of the HD on digital projection, the keys were perfect, it was like you could see every single hair.

Speaking of detail, it was interesting; some of the leading ladies looked like they'd been softened up a little, but on others you could see individual pores and blemishes as if there was almost too much detail. I wondered if it was a creative decision, or if it was mandated by the talent's management.

I should go back and watch it again, but the printed version this time. Anyway, congratulations!

April 10, 2005 | Unregistered Commenterjason koxvold

Jason, you nailed it! Good eye. A little localized diffusion for Carla and Jessica allowed them to look lovely under the harsh contrast.

April 10, 2005 | Unregistered CommenterStu
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