Tools

Slugline. Simple, elegant screenwriting.

Red Giant Color Suite, with Magic Bullet Looks 2.5 and Colorista II

Needables
  • Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony Alpha a7S Compact Interchangeable Lens Digital Camera
    Sony
  • Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic LUMIX DMC-GH4KBODY 16.05MP Digital Single Lens Mirrorless Camera with 4K Cinematic Video (Body Only)
    Panasonic
  • TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM DR-100mkII 2-Channel Portable Digital Recorder
    TASCAM
  • The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (Peachpit)
    by Stu Maschwitz
Monday
Nov152004

Please use the matte

I created a new Macro for Fusion that allows you to tie “bitmap masks,” or mattes, into your script visually rather than with the questionable (and doomed) method that Fusion currently employs.

Download useMatte v1.4 (2kb RAR file)



It works very simply — it has two inputs, one for the image and one for the matte you wish to assign to that image. Check Mult if you want to multiply your image by your new matte (for additive compositing), or uncheck it for subtractive. Float folk check Clamp to ensure that no out-of-range values get used in the matte. The only other control is a channel pop-up, for selecting which channel to use as the matte.

ProLost — Teaching the World How to Use Fusion Wrong™.

 

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